Wednesday, March 23, 2011

Tokyo then and now


Lately, my emotions are on the recent devastation in Japan from the earthquake and tsunami.  As living in Tokyo four years in the 1980's, I can recall often feeling the earth trembling under my feet, and being in some of the top floors in tall buildings when they swayed. I would see sites from windows never seen when the ground was still.  It was always a paralyzing fear until it settled down.

I recall one night early fall, having the windows open in my home, and hearing Japanese conversations within homes of nearby neighbors through their open windows.  Birds chirping in the trees. The gentle sounds of life.  All enjoying a warm, beautiful evening. Then suddenly, a roar under my home!  As if a subway train raced by; there were none.  Then everything shook.  Books came toppling off shelves. I tried running down the hall to stand under my front door's threshold.  I couldn't make it as I fell due to the violent shaking of my home.  Then everything stopped.  And there were no sounds outside. Even the birds stopping singing.  It was as if we all waited for more to come as aftershocks were common.  There were none afterwards.

I was told the next day that just before the stronger quakes strike, "the ground warns us."  My experience was minor in comparison to March 11th.  And for me, 7 months later, I returned to the states to live and work on stable ground. 

Recently, I located one of my favorite black and white photos of a home in my neighborhood.  I lived in Kami-osaki of Shinagawa-ku, Tokyo.  Approx. 300 yards from Meguro train station.  The neighborhood was especially lovely as there were many old homes within gated walls. The entrance to this private residence was behind these old wooden gates.  I loved how the smaller door could only fit one person as a protection for the owner to easily defend himself with sword from being captured during olden times.  That door is to the right in the photo.

I would walk past the gates often during the week to/from the train station to my office at the Daichi-Seimi building in Shinjuku.  It was sometime during my 3rd year living there, the owner's wife would stand outside the balcony of the 2nd floor window in her kimono and slightly bow when our eyes connected at the end of the day. We never spoke as my Japanese language skills were weak.  However, I felt she accepted me as a resident in her husband's neighborhood.  "Her husband's" I say, as his was the oldest and largest of one of the first homes in the area.  Family tradition is strong in the Orient as each generation passes their home to the eldest male child.  

I would stop and turn to her with a mannerly bow of respect and continue on to my home with warmth in my heart.  My last year living there, I decided to turn my bow into a friendly smile and hand wave, and her warmth mirrored mine.  This was one of my daily routines I looked forward to.  Perhaps one of hers as well?

I now ponder, is their home still standing? I truly hope so. The owner was in his late early 70's.  Does the same family still live there? They did have a son.  I never met, or saw.  I ponder also if she thought of those moments with me years later?  I have always felt life is ever more beautiful when our souls continue to touch each other.  Surpassing distance and time. 

So here I sit, years later in the office next to my studio sharing a memory and living in the mid-west.  A part of my heart will always remain in Japan.  For my wonderful life adventure and memories, I will always smile as it is why I am the person I am today.  And then, thinking what they all felt on the 11th and lost, and experiencing this very moment . . . I will always feel sorrow.

http://www.christinenauman.com

Wednesday, February 23, 2011

Oriental Gardens - o/c 29" x 33"

Oriental Garden in Winter
29" x 33"

Oriental Garden has been created from a pencil sketch by placing a number of my photos of public and private gardens in Japan and China.  Artistic license flows well in my studio when I draw upon those personal experiences from living in Japan and travel throughout China in the early-mid 1980s as I was working the painting. By placing the numeric groups of three and five within; 3 shrubs, 5 stepping stones, and 5 dwarf trees in front of the hedge I remained true to the oriental philosophy. 

This is another painting which tells an interesting story and blends well with the artist to be treasured infinite lifetimes.

http://www.christinenauman.com

Monday, December 6, 2010

Galena

While enjoying a few days away for Thanksgiving this year, I was able to snap more photos for future paintings of the parks and nature preserves in Galena and the surrounding towns.  This particular photo is inspiration for another one of my Stage Coach Trail paintings.


Friday, November 19, 2010

Open Lands - o/c 17" x 19"

Open Lands LXIV
17" x 19"
sold


I often prefer my compositions with their defined horizon lines in ornate frames.  Though my work speaks volumes in subtle ways, the curves in these frames reflect how the tall grass sways as the wind passes through.  It all becomes poetic . . .

http://www.christinenauman.com

Wednesday, October 20, 2010

Diamonds are Forever?

Little Jewel 67
10" x 12"
sold


Over the years, I've created numerous miniature paintings.  Often as a reprieve between my larger canvases.

Early in my career, one of my patrons had acquired a few and described them as "Little Jewels."  I have always titled my paintings, but would mention if they would like to change a title, the painting is theirs, I'm surely fine with that. Patrons would share that my words reflected the paintings well, and the titles would remain.

I did feel the description this particular patron gave their collection of my miniatures heartfelt.  After that, I've titled all my 5" x 7" miniatures the same, and numbered them in order of completion. Currently, this is the latest "Little Jewel" available in the series.

http://www.christinenauman.com

Monday, October 18, 2010

South of France

"Sunflowers in Arles"
28.5" x 32.5"
sold


Arles was one of my favorite cities in France when I visited as a guest of one of my patrons 15 years ago. The "light" in Provence is magical.  Words describing it are weak in comparison to the experience of being there.  Seeing it.  Savoring it.  Whether enjoying the architecture and gardens or meandering through the streets I recall how beautiful the colors were.  Everything seemed so vivid.  So true to life!  And as the shadows became longer as the hours progressed, objects were well defined.  Perfect for oil paints mixed onto palettes by Van Gogh and Gauguin in the late 1880's.  Perfect for artists in every decade.

SUNFLOWER FIELD was created from a photo I had taken of a farmhouse on the outskirts of the city.  Early July, sunflowers are in full bloom and the flowers are harvested for oil used in cooking. I've loved creating paintings from this photo as I've used it for reference numerous times. All originals have been acquired by private collectors over the years.

http://www.christinenauman.com

Friday, October 8, 2010

Creating in Natural Light

I began working on another floral landscape as the weather forecast has been sunny for a few days in a row.  Days when the natural light in my studio is more subdued, autumn paintings are also underway.  I've always created paintings of various compositions as I feel it's important that variety conveys an artist's innate ability.

http://www.christinenauman.com